PLEASE ALLOW ME TO INTRODUCE MYSELF

Would you look at the house? Even from the agent pictures, it reeks damp and grubbiness: the green felt pool of carpet, the dirt tan of nicotine on the walls, the lopsided mock chandelier in the lounge. Here is a house that someone has died unhappily in: neglected, housebound and probably too weak to eat or cry out for help.

For the love of God, shut up you miserable bastard. It’s a house, and you have no right to pin any of your maudlin nonsense onto it. Leave misery well alone: a lick of paint and it’ll be dandy.

Dandy? The house is a mausoleum and if you so much as consider viewing it, then we’re both surely dead.

Now there’s a good reason for me to ring the agent first thing tomorrow.

And so it was that Eamonn and Sue Leonard found themselves walking up the pathway to the house the next morning.

I told you. I can smell destitution and decay from here.

All I can smell is you. Now shush, here comes your man.

Mr. and Mrs. Leonard, as I live and breathe, is it you I see standing before me?

It is, and you know it is because we spoke on the phone only an hour ago.

I’m sorry, Mr. Coulson, my husband has a rare and aggressive form of dementia.

Isn’t that the worst kind, Mrs. Leonard? Well, I for one hope he makes a speedy recovery. But before we make our way in, I must tell you that you will not be the first to see it.

And we won’t be the last?

Ah, Mr. Leonard, please, I’m merely trying to say that there has been some interest already.

Well say it then, don’t try to say it.

Ignore him, Mr. Coulson, it’s just his way but we both know I’ll get my way in the end.

And Mrs. Leonard did get her way, and in a more meaningful way so did I. Please allow me to introduce myself – no fanfare needed, a funeral procession will suffice: my rear extension is wide, my mouth cavernous and my appetite insatiable, for I am ‘The House’.

‘Reeked of damp’, of unhappy deaths and decay observed the astute Mr. Leonard. Well, his death put an end to anymore of that kind of talk: a celebration of sorts, a climax reached with glass confetti raining down from the ceiling – the chandelier (he should have left it lopsided) pinning him like a stake through his head and onto the floor.

Where was the wife I hear you ask, his guide to direct him, to nag a certain degree of safety into his stubborn (as yet un-fractured) skull? Unlikely, she’d have made an appearance for he’d already buried her the day before under a cold clod of earth in the woefully unkempt garden; murdered her with a degree of irritation and a smidgen of mercy, for saying for the millionth time that the house was whispering to her at night to take off her clothes and run into the dark screaming like a banshee (as she had done on countless occasions before).

I look upon it as marriage guidance, as benign intervention made on behalf of poor Mrs. Leonard. A conduit of her desire, she asked and he did as was requested: ‘For the love of God, kill me, Eamonn, put me out of my misery, I can’t breathe another day in this wretched house.’ Thwack! And her wish was granted.

And Mr. Coulson? He’s complicit with me, the sick bastard. A diary full of couples with the promise of a commission and the ghoul is happy. But if he should ever falter in his resolve he will find his way into a bricked up wall along with the other agents.

My desire is only for completion. And, as I speak, here stands another couple at my front door: a kitchen’s unearthed wire impatiently breaking free at my skirting, the foundations of my soul loosened for a tremor that will surely come, those fragile roof slates edged just a little looser for that pick of wind, as – now, what‘s her name?

‘I love it already Jack.

‘I knew you would, Lilian.’

Ah, yes, as poor little Lilian steps back from the front door and looks up.

‘Cut her in two. Never seen the like of it,’ the startled policeman will soon be quoted as saying in the local paper.

In a picture accompanying the article, I’ll be smiling my breezy front door smile, a letterbox hint of tongue, the bright bulbs from the upstairs windows indicating activity: lights on, ready for business: let them in and keep them coming, I have rooms to occupy, and mouths to feed!

Oh, and what of Mr. Jack? Well, if you will go into a kitchen screaming like a madman, then you are unlikely to notice the wire snaking around your feet, carrying enough charge to arouse the departed and electrify the living.

  • The illustration is by Jonny Voss, and the story appeared as ‘The House’ in February’s flash fiction month on Fictive Dream
Unknown's avatar

About Alan McCormick Writing

Alan McCormick lives with his family in Wicklow. He’s a Trustee and former writer in residence for InterAct Stroke Support, a charity employing actors to read fiction and poetry to stroke patients. His writing has won prizes and been widely performed and published, including recently in The Stinging Fly, Banshee, The Lonely Crowd, Southword, Sonder and Exacting Clam magazines, and previously in Salt’s Best British Short Stories, A Wild and Precious Life – A Recovery Anthology, Modern Nature Anthology – Responses to Derek Jarman’s Modern Nature, The Poetry Bus, The Sunday Express Magazine, The Bridport and Fish Prize Anthologies, Popshot, Litro and Confingo; and online at Epoque Press, Words for the Wild, 3:AM Magazine, Culture Matters, Dead Drunk Dublin, Mono, Fictive Dream, The Quietus and Found Polaroids. His story ‘Firestarter’ came second in the 2022 Francis MacManus RTE Short Story Competition and ‘Boys on Film’ came second in The 2023 Plaza Prizes Sudden Fiction competition. DOGSBODIES and SCUMSTERS , his collection of short stories with flash shorts inspired by Jonny Voss’s pictures, was published by Roast Books and long-listed for the Edge Hill Prize. Alan and Jonny also collaborate on illustrated shorts known as Scumsters – see more at Deaddrunkdublin.com and Scumsters.blogspot
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a comment